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: More Press On the Stop Work Order

The Donor Wall - Follow Up

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The News Tribune has published a story on the stop work order issued yesterday. All the comments I’m seeing in the newspaper and in emails are missing my primary concern and this is the natural flow of pedestrian traffic.

The view of the bridge, to me, is secondary to a natural flow for pedestrians. On several occasions, when I’ve been walking near the history museum, I’ve had to give people directions around the various walls and fences to get to the bridge. This is a bad civic design. And I have nothing against the park, its donors, or the museum as some have suggested. We know several people who purchased plaques for this park. I don’t think that there was an expectation when the plaques were purchased that they would go on a wall that would impede the natural flow of traffic. They simply want a place for their plaque.

There does seem to be a concern that the museum was supposed to go back to the city before proceeding on the wall, but never did – other than for permits. That seems to be up for debate. This concern seems to highlight that there’s more to this story than a simple – “the blogs are upset so the stop order was issued” as some have suggested to me in emails. I’m sure we’ll hear more.

The News Tribune quotes one of Exit133’s comments in their story. Of all the comments to pick up, it’s Mr. Anderson’s fat cat moat comment. If you’re a regular reader of this site, you probably realize that Mr. Anderson’s comments tend to be on the fringier side of our discussions. Two words: space elevator. There were a lot of comments on that thread. Some were ill informed. Others were pretty balanced. All generally helped the debate. Why pick this one?

What’s the right thing to do? Stop work and redesign while increasing costs? Continue work and take it as a lesson for the future? Either way will cause disruption and upset folks.

Remember. It’s about the flow of people, not the view.

It’s all quite curious.

Link to The News Tribune

Previously on Exit133

Update: Editorial in the News Tribune today (9/29)

Also, unlike many issues in town, we don’t have a good timeline for what’s happening next. The pace at which this story has developed is a bit… surprising. If you have an opinion, make sure your City Council knows it.

Link | Posted on 29. September 2006, 09:52

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The view of the bridge, to me, is secondary to a natural flow for pedestrians. On several occasions, when I’ve been walking near the history museum

I agree.

I always thought the fence was a pain but assumed it was part of the security for Union Station and the city.

Today, there are well over $100,000,000 in taxpayer investments on the Chihuly Bridge of Glass, Glass Museum and the Foss Waterway.

A good percentage of people use the bridge to access the area. It is imparative not to thwart their efforts by adding an effective 115 ft wall in their path.

Today, the History Museum defends the wall:

Opening up the area would put a ‘dagger in the heart of the business interests of the Museum” (TNT 9/28)

However, the History Museum enjoys unobstructed access by pedestrians from all directions.

They are not entitled to try to get more visitors that are trying to walk over the glass bridge by forcing everyone to walk around a wall placed in their path.

The TNT reports today that the wall would be used to visually “frame” the bridge of glass. If so, it would give the bizarre result of being able to see part of the bridge but not be able to access it without walking around a huge loop.

1 | Posted by Erik | Sep 28, 08:35 AM

More evidence that the TNT, while proliferating blogs left and right, doesn’t know how to integrate them into their traditional news structure.

Access to the Bridge should be direct, line of sight, and open. The History Museum can use visual cues to bring people down that way. The whole orientation as it stands, combined with the old Museum Cafe structure, is convoluted. Please, let’s acknowledge the natural flow of pedestrian traffic—not channel it.

2 | Posted by Patrick | Sep 28, 08:47 AM

The view may be secondary, but without it, folks unfamiliar to the bridge won’t venture there if they can’t see it. Seems the wall, if needed could flank the passage in a North/South direction?

3 | Posted by Les | Sep 28, 09:59 AM

Seems the wall, if needed could flank the passage in a North/South direction?

I think you mean an east – west direction as Pacific runs north and south.

Yes, I think the best structure would be a large archway from Pacific Avenue opening widely toward the bridge of glass. The donor wall could be on the side.

If visitors to Tacoma have taken the time and effort to drive down to Pacific Avenue with the intention of seeing the Chihuly Bridge of Glass and the Glass Museum, it would be gracious of the City of Tacoma to permit them to do so in a direct manner.

As far as for the History Museum, it should concentrate on having attactive exhibits to draw patrons.

Trying to force visitors to enter their establishment who instead desire to cross the Bridge of Glass to see the Glass Museum or the Foss Waterway isn’t legitimate.

Plus, I don’t think it really works and it only frustrates everyone.

All it does is make it hard for visitors to go to their desired destination over the bridge.

For local Tacomans, the wall makes it hard to get to the Foss Waterway and makes them less likely to do so.

This is really a non-debatable issue.

There are 100 books on the importance of pedestrian friendly streets and pathways.

4 | Posted by Erik | Sep 28, 10:42 AM

Until Councilwoman Anderson asked about it Tuesday, officials from the city’s Public Works Department were unaware that the wall was going up, Public Works Director Bill Pugh said Wednesday. After looking into it, they found that the city reached an agreement years ago with the History Museum allowing the museum to install a fence across a 20-foot city easement, but it called for mutual agreement before any changes could be made to it.

So when Mark Crisson, Director of Public Works (former?) signed the Release of Easement on 01/18/06 he didn’t ask or know why the easement was being released?

What about the Superintendant of Power? The Assistant City Attorney? The Chief Surveyor?

All of these city employees signed the release and had no idea what was going on?

5 | Posted by Jake | Sep 28, 10:47 AM

Did I read that right? The History Museum is spending $70,000 to build a wall to thank donors who gave a total of $5000. Take the plaques that were going to be installed on the wall and place them along the bare wall along the back of the Cafe. Then Everybody walking through the passage way will see the wall of honor.

6 | Posted by Marty | Sep 28, 11:32 AM

I would just like to thank the glorious writers over at the Tacoma News Tribune for picking my apt opposition comment to immortalize in meat-space (print) and thus granting me victory. If I was never a special person, I am a special person now.

7 | Posted by RR Anderson | Sep 28, 01:51 PM

The view of the bridge is not secondary – it goes hand-in-hand with ease of pedestrian access. If ease of access is the primary goal.

This whole thing reminds me of a funny and interesting conversation I had with Charlie over at Metro Coffee a year or two ago which stemmed from the topic of access to the bridge and covered the Northwest tradition of not making it easy for outsiders to find things. For the longest time, directions and signage to landmarks like Pt. Defiance were either non-existent or done in such a way as to not be noticed.

Now, imagine yourself a visitor from out of town and you were trying to find the Bridge of Glass only to be greeted by a tall black iron gate. How would this make you feel? Frustrated to say the least! If you didn’t see other people walking across the bridge you would probably assume that the bridge was closed and turn away.

Downtown has changed greatly since the Museum was built. Those who had the vision to build the Museum, restore Union Station, and create UWT should be commended. But the need for a gate at the entrance to the bridge has passed. And the time for a more open and public process has arrived.

8 | Posted by morgan | Sep 28, 02:17 PM

RRAnderson@7 said:

If I was never a special person, I am a special person now.

I don’t think anyone has ever doubted you’re a special person, man.

9 | Posted by jamie from thriceallamerican | Sep 28, 02:58 PM

I guess it’s not as good as border volleyball, but anyone up for a game of donor wall volleyball if the thing does get build?

If the lighting is good down there, it can be a winter replacement for bocce!

10 | Posted by jamie from thriceallamerican | Sep 28, 02:59 PM

this whole process serves to underscore the need for either a planning department at the city (one that actually planned), or a design review board (one with some authority), either of which would hopefully have caught this crazy construction before it began.
these have been suggested, but we perhaps can use this instance as a ‘last straw’ to get one or the other, or both, in place.

11 | Posted by rick | Sep 28, 03:06 PM

I live in Parkland and I have a salon on Union and Highway 16 so I don’t get downtown too often. But everytime I have company from out of town I take them to the various museums downtown. I usually park at the Parking garage at the Freighthousesquare and take the link to the Museums. When you cross Pacific from the platform you walk right underneath the Arch between the cafe and the museum. If I am determined to go to the glass museum I will not go into the History Museum even though I am close to their front door. So the argument the director of the museum makes: >>Today, the History Museum defends the wall:
Opening up the area would put a ‘dagger in the heart of the business interests of the Museum” (TNT 9/28)>> is totally ludicrous. People go where they want to go.

Since I opened my Salon on Union Ave and 31st St. some 20 years ago I thought it would be wonderful if I could redirect traffic through the alley behind my building because that is where the entrance to my building is, right next to the parking lot. But I am not so stupid as to think that most of those people driving by would stop and come in because now they would be closer to my entrance. I hope I made my point.

I often wondered why there was a fence at the end of the bridge of glass. When you are done visiting the museum of glass and want to go over to the Tacoma Art Museum you have to first go back towards the History Museum to get out through the Arch.

We need fewer barriers where ever we go, whether they be fences or brick walls.

As an earlier poster – I think it was Erik – suggested an Arch at the end of the bridge leading out to the sidewalk on Pacific and a display wall for the plaques leading towards the bridge from the sidewalk or arching around towards the History Museum would be a much better solution and people would probably stop to read the inscriptions instead of just walking past them on the sidewalk. Also, there are the huge empty walls of the History Museum already facing the sidewalk. Why couldn’t the plaques be attached there?
Aren’t there any architects in Tacoma? Why do we have to have an architect from Texas to design a WALL in Tacoma? That is how donated money gets wasted. I won’t spend any more of my money at the History Museum as long as they have this director with his attitude in place.

Another thing I read in the News Tribune and here are the comments made by the Public Works Department. Does anyone know what happens to a Permit when one is applied for at the city? Why don’t all of the departments involved about a particular issue know about it now that the city owns the ‘superdooper’- all inclusive – all knowing – millions of dollars plunder – computer???
I also wonder how many city workers and Public Works employees have passed by the worksite of the wall and why they might not have shared with other workers and their superiors what they observed. When I drive around town I tend to notice when work is in progress somewhere and I wonder what might be built.

I agree with the work stop order but I am sorry for the cost overruns that will most likely result from this. We have to remember that people have donated their hard earned money and now it is being squandered.
I think the fault lies with both the city and the History Museum. Ultimately the city is responsible to make life more pleasant and easier for its citizens and visitors and someone in cityhall should negotiate an opening at the end of the bridge of glass so people would have easier access to the other side of the railroad tracks and to the water front.

12 | Posted by Benno Walle | Sep 28, 03:12 PM

Substantively, this is a no-brainer.

If I brought 100 people out there today, (don’t tempt me) at least 90 of the would agree that a direct route would be preferable.

With a great amount of Tacomans participating, the Project for Public Space held in Tacoma July recommended

*Open up the fence to create direct access to the bridge from Pacific.*

See the report page 26.

Thus, there is no doubt the fence needs to be opened up. Its not a new idea by any means.

It’s now just a matter of everyone taking a deep breath and working out a solution where a “donor wall” can be located while allowing pedestrians to pass.

13 | Posted by Erik | Sep 28, 03:59 PM

I’m not a fan of walls next to sidewalks. But then I don’t like surface parking lots next to them either. In the case of a red brick donor wall, I think it could be worse. It also always seemed a bit creepy looking at the bridge and the courthouse through bars.

I have a hunch that what folks will discover is that the concrete pavers inside the fence are the roof tiles for the auditorium below. The fence prevents a heavy vehicle from getting onto them, since heavy vehicles do not belong on roofs or for that matter on glass bridges.

I was amazed that somebody drove their car down the 19th Street stairway on the UWT campus. Amazed that is until another dare devil accomplished the same feat on the Spanish Steps.

And now I am experiencing the truely bizarre feeling that I am making perfect sense to traffic engineers and pratically nobody else.

14 | Posted by Artifact Keeper | Sep 28, 04:37 PM

Apparently, the City of Tacoma is also strongly objecting to the proposed brick wall because of safety concerns.

With a brick wall installed, the view to the area near and on the bridge of glass would be obscured from the Pacific Avenue making the area more prone to crime and difficult to monitor by pedestrians and police.

This is important as the area is open almost continuously and few people travel the area by night.

Tacoma has adopted the principles of Crime Prevention Through Urban Design (CPTED) to try to reduce crime in the city. Hopefully, they will follow the principles here.

Many cities and businesses use the priciples in CPTED. Wikipedia has a good explanation of it or you can read the good old hard copy (Crime Prevention Through Environmental Design (Crowe 1991)

Of course, having an open space would allow great surveillance of the area reducing crime and allow easier access for emergency crews to enter the area.

Of course, with the fence completely removed, there would also be greater access to the museum of glass for people with limited mobility. However, that’s another subject.

15 | Posted by Erik | Sep 28, 06:54 PM

Here’s an idea…Build a huge fence or wall around downtown as a whole and have admission gates. Treat the entire area around it like a fair or circus then the museums and everything else could be free. If the wall were made of brick, each one could have a taxpayer name on it honor all of us who paid for the insane thing! Ok, maybe it’s time to get a cup of coffee!

16 | Posted by MW | Sep 29, 06:15 AM

Update 9/29

Editorial about the wall today here and photo illustrations from the project’s architects.

17 | Posted by Erik | Sep 29, 08:14 AM

I don’t see how the museum’s business will be hurt by opening up the fence. It seems the history museum is a destination where people already plan to go, where as the bridge of glass links pedestrians to Tacomas Foss Waterway (which many outsiders probably don’t even realize is there). I have a feeling if this wall gets built, it will be torn down 15-20 years from now in another attempt to link the waterfront to the downtown….

18 | Posted by snoopy | Sep 29, 10:23 AM

Using the “Creative Cities” theme being promoted by Tacoma about how to make a vibrant city where people want to live, work and visit is what this whole process of debate is about. For those making the decisions in this matter to be able to listen to all these great ideas and come up with a better solution is so…creative. It will lead to a more energetic DT, with more visitors. Blocking the flow of energy will not.

19 | Posted by Jennifer | Sep 29, 01:10 PM

Blocking the flow of energy will not.

Good point. A brick wall blocking pedestrian access and the view to the water violates about every successful city design technique there is.

1. Pedestrian traffic. Longer distances to destinations reduces the foot traffic, the lifeblood of a city which the Foss merchants need much more of.

2. View corridors to water. These are highly prized by all and need to stay open whenever possible. The brick wall would squander this city asset.

3. Navigation. People who can see a structure from Pacific Avenue are more likely to know where it is and travel to it.

4. Crime prevention. Solid walls are highly disfavored as they hide criminal activity and make them hard to monitor an area. Pedestrians and others will not be able to view the area making them less likely to travel late at night.

5. Attactiveness. People on Pacific, UWT in the area want to be able to see out to the water. Open views, especially of a waterway are like gold.

6. Disability access. Adding an additional unnecesary 230 feet loop makes it more difficult for people with mobility issues to get from Pacific Avenue to the Chihuly Bridge of Glass.

There isn’t much of a counter argument I have seen other than it was already designed. The donor wall can be placed perpendicular to the street to not impede traffic.

The history museum and the glass museum need to try to attract patrons based on their exhibits they have, not by trying to erect walls around the other to force people to walk by.

The city needs to likely pay some money for the supplies already used in the foundation and other expended costs and ensure the easement that the city already has is properly used by being wide open.

20 | Posted by Erik | Sep 29, 01:34 PM

What’s amazing to me is that we’re even able to have this debate. It really shows how far Tacoma has come in the last few years.

There have been some superb ideas put forth on this thread and it all seems to point to one simple fact… Tacoma has arrived! Arrived in the sense that all the revitalization efforts of the past are finally coalescing to a point where we can now take a fresh look at how all the pieces of the puzzle should fit together.

Gone should be ANY barriers that negatively affect pedestrian friendliness. The Tacoma City Council and other authorities should use any and all means at their disposal to guide downtown development into a City of Destination rather than a disjointed convoluted maze that visitors must reckon with.

Certainly we should honor the donors who put the wheels in motion. But think about it… Do you think those original donors gave the money just to get their name on a plaque? No, I would venture to guess every one of them did it with the idea that it was for a good cause. And their cause continues today as the waterway and other areas get developed.

Should we stop the motion that they started? Of course not. But maybe it’s a good time to look at the bigger picture of what’s happening and map out what’s best for the city as a whole.

21 | Posted by Steve Hurley | Sep 29, 02:12 PM

It is kind of interesting how different arms of the TNT weighed in on the proposed brick wall/bridge of glass issue this week.

The editorial board focused on the easement that the city retains entitling Tacomans direct access to the bridge:

The easement issue is significant. The city negotiated it in 1990 as part of the deal that deeded the property to the museum. . . The History Museum and its architects share the blame for the present situation.

The Nose, the author of which has often been a mystery, was sent in to address the situation more bluntly yet satirecly:

We already did the Reagan “tear down this wall” riff a couple of years back, when Washington State History Museum director David Nicandri put up his fence.

So how about this:

What if Nicandri, the William F. Buckley of museum bosses (“we intend to roll back the stop-work order with as much dispatch as we can muster,”) appeared before the City Council and channeled actor Samuel L. Jackson: “I’m tired of these mother#$%! delays with this mother#$%! wall!!”

Then finally, GritCity gave weighed in on the Museum’s questionable marketing strategy:

As part of a national deal day for cheapskates, enjoy free admission to the Tacoma Art Museum and the Washington State History Museum. Download the required pass here. We’ll see if free admission works better than a blockade to funnel people through the doors.

The city was wise to retain an easement directly from Pacific Ave. directly to the bridge of glass. The History Museum needs to work with the city while it exercises its right for pedestrians to pass. They seem to greatly underestimate how much Tacomans value easy pedestrian access to the Foss Wateway and the Bridge of Glass.

22 | Posted by Erik | Oct 1, 11:47 AM

i wonder if the fence forcing pedestrians through the museum arch really worked to increase patronage to the history museum? how weird—when i first got here i assumed the access to the glass museum was a public space.

if the fence didn’t work, i’m sure a wall will since no one will actually have the expectation of the bridge of glass since they can’t see it.

seems to me that if you come to tacoma to go to the history museum, that’s where you’ll go, and likewise for the MOG (aka International Center for Contemporary Art—what a comical business plan, IMHO).

23 | Posted by tom waits | Oct 1, 08:15 PM

Nearly everyone who has walked down to the Bridge of Glass opposes the loss of pedestrian access by a brick or any other type of wall.

Today, Peter Callahan adds his voice:

The city asks, How come the museum didn’t note on the permit applications that the wall was on a city easement designed to preserve access between Pacific Avenue and the Bridge of Glass?

Here’s the question that should have been asked: Should a wall be built there at all?

Ask the right question and the right answer flows pretty easily. Of course we shouldn’t build a wall because it is a lousy idea.

On Friday, I sat at a table outside the bagel restaurant in the leg of the museum’s entry arch. It was a nice fall day, and walkers streamed to and from the Bridge of Glass. Construction of the wall had stopped, so the view between the museum’s courtyard and the street was still available.

I tried to imagine a wall filling that gap – even one with an opening, or aperture as the architects call it. I could. I tried to figure a good reason why it made sense. I couldn’t. It might be the most beautiful wall in the county, designed by a nationally renowned architect, and it would never be anything more than a wall.

Paul Ellis weighs in from the Tacoma Pierce County Chamber of Commerce and refers to the structure as the ‘wall of shame’

24 | Posted by Erik | Oct 3, 09:25 AM

So it sounds like open walking area is totally good and inefficeince meandering is bad. If you have to walk around an object, the object is a flaw.

I look at Pacific Place/Tolleffson Plaza and for all its openness there is no sense of marked place, of human events or even pedestrian efficiency.

Fences, trees,railings,hedges and walls all have a place in the urban landscape and the landscape is better for them.

The donor wall can morph into some other physical form but its hard to argue against the importance of remembering what SOS did to not only save Union Station but spur Tacoma’s historic preservation eithic over the last 15 years. That donor marker, whatever form it takes belongs on the ground between Union Station and the History Museum.

The choice of a wall is a familiar idiom for public memorials and monuments. If the City in its wisdom choses to develop a better donor recognition design, I think it would be interesting. What sucks is the City running the project thru its review process and granting a permit then deciding to stop the project after the contractor is into the construction.

I don’t mind the meander. Its better than another meaningless open space between where you think you are and where you want to be.

25 | Posted by Artifact Keeper | Oct 3, 02:44 PM

When I mentioned to several longtime Museum of Glass staffers that a contingent is worried about pedestrians not finding the Bridge of Glass, they just laughed. (Now Museum patrons finding their way from the MOG front doors up to the Bridge, that’s a different issue entirely!)

26 | Posted by Laura | Oct 3, 04:27 PM

The donor wall is a wonderful way to remember volunteers who kept alive a once-fanciful vision for the restoration of Union Station. What vulgarizes the partly-completed structure is attaching to it a sign for the Washington State History Museum, which is already well-advertised on its nearby headquarters. Instead, the space reserved for the sign should be a spot for a quality piece of art, reflecting Tacoma’s changing aesthetic culture (are there any financial donors for such a project?). Texas architect Arthur Andersson played major roles in the designs for both the history museum and the Chihuly Bridge of Glass, so his role in designing the wall and Century Park is reasonable. Indeed, he should be trusted with the wall project. The challenge for him arises, it seems, with regard to his loyalty for how the finished project should appear. His primary loyalty should be toward the people of Tacoma who donated to the State of Washington the land worth about $2 million in about 1990 on which the museum stands. As consideration for their gift, they wanted access through the site to their waterfront.

The loyalty of Andersson toward that vague concept at Union Station called the public interest should be manifested in a design for the long-planned Century Park that Save Our Station volunteers envisioned that includes amenities to make it a wonderful gathering space and retreat for contemplation for all people, clearly delineating the space as important to Tacomans in particular and their grassroots efforts to save the station. City officials must make clear they share jurisdiction over this space with the history museum, underscoring at the same time to the State that the public shall always be allowed to cross the bridge without restriction by way of the museum arch.

Waterfall Garden Park in Seattle’s Pioneer Square, by Seattle Fire Department headquarters, is a private space run for public benefit and sponsored by the Casey Family Foundation on the original office site of United Parcel Service. This lush retreat built decades ago reflects how a high-quality but small urban park can fill the need for tranquility in the noisy urban environment.

The wall at Century Park is not the primary issue as much as making sure that the space Andersson creates at the western end of the Chihuly Bridge of Glass becomes an achievement in both fine art and quality landscaping for the benefit of the general public. He is sensitive to such design debates in Tacoma, if one recalls changes in his earliest plans for the glass bridge.

The proposed sign for the wall makes the history museum a reasonable bullseye for criticism in the current debate. Frankly,advertising cheapens art—even if the sign is for a museum. In light of the current mess, the person who should explain to city officials what he hopes to accomplish with the garden is architect Andersson. He also needs to explain who commissioned this project and is directing the design objectives. He must ultimately work with both city officials and museum representatives to harmonize their current differences but must also stay true to his original vision. Some may claim he is a museum loyalist but that must be balanced against his past work in the neighborhood, which should lend cohesion to his projects. On a practical basis, the new wall should prevent private vehicles from traveling onto the bridge and definitely looks nicer than huge concrete blocks that were placed around many federal buildings after 9/11.

Century Park is a place for all and not just a space for the museum, which is a cherished institution in Tacoma since 1891. This debate about a park is ultimately good for Tacomans. Yet a park should never be designed by a committee—let Andersson finish his project after getting further input from a larger group. Too many cooks stirring the pot spoils the soup.

One hopes that Andersson can reconcile the differences of the parties with interests at stake in this matter and still create something magnificent to match his earlier designs for both the glass bridge and the history museum.

27 | Posted by jon | Oct 4, 05:19 PM

The proposed sign for the wall makes the history museum a reasonable bullseye for criticism in the current debate.

People have only been critical because the proposed wall would unnessarily block all pedestrian traffic as well as the views.

Nearly everyone who has looked this including The Tacoma Pierce County Chamber of Commerce, TNT editorial board, columnists have explained in detail why this is such a bad idea. Somehow the message is not getting through to the Museum.

On a practical basis, the new wall should prevent private vehicles from traveling onto the bridge

As has been pointed out before by others, you don’t need a brick wall to stop vehicular traffic, a few planters will do. This allows pedestrians to still pass. The county courthouse has done this well as well as many other places in Tacoma.

The donor wall is a wonderful way to remember volunteers who kept alive a once-fanciful vision for the restoration of Union Station

Yes. A case has been made for a donor wall but not one that obscures the view of the water, the bridge of glass and forces pedestrians to walk a couple hundred feet to try to reach the bridge of glass.

Why can’t the donor wall be turned 90 degrees and be against the cafe wall where there is already a nice brick wall that won’t obstruct traffic?

28 | Posted by Erik | Oct 4, 06:29 PM

“Waterfall Garden Park in Seattle’s Pioneer Square, by Seattle Fire Department headquarters, is a private space run for public benefit and sponsored by the Casey Family Foundation on the original office site of United Parcel Service.””

Off topic a bit, but this is one of my favorite small parks in Seattle. I used to go there on occasion from my office in Pioneer Square. Where is the Tacoma equivalent?

29 | Posted by Droid16 | Oct 5, 10:55 AM

Perhaps this is edging even more off the topic ( Please delete if this is inappropriate)… but what Droid16 said reminds me of something a friend enlightened me about regarding Seattle public spaces (I hope I get this right): I don’t know if Tacoma has anything similar in its codes, but for a long time, the Seattle Municipal code has had a trade-off advantages for providing Public Benefit Features (PBF’s). The end result for the general public (us) is that there are many public spaces in Seattle (many totally hidden) that may be enjoyed, if only one knows where to look. For the most part there are no signs pointing to them – it’s like a treasure hunt finding them. I believe this is the Seattle Minucipal Code and a map of the pBF’s, and if you haven’t had enough,a 2000 .pdf audit report on Seattle’s PBF’s. Anyway, it’s like knowing about something no one else knows about, and I like the idea of me getting something in the trade-off (although some of the spaces are just token spaces). What do you think? :-)

30 | Posted by Dave L. | Oct 5, 11:48 AM

On Second thought I like the wall Idea.

31 | Posted by RR Anderson | Oct 5, 07:16 PM

Took me a minute to figure out how to view it.. but to view the pic right click and save pic then open from your computer.. Pretty funny.. lol

32 | Posted by jake | Oct 5, 07:37 PM

Oh boy. That is interesting.

Nice graphical representation of the proposed wall.

Who made it?

33 | Posted by Erik | Oct 5, 08:04 PM

I’ve followed this story in the paper and on exit133 with some interest.

There has been much reference to the “outcry” from concerned citizens in this blog, yet I can only identify a handful of people (most are posting here) who are upset about this addition to our downtown. I’m not convinced this is a true “outcry.”

Re: the recently posted pic. It’s fascinating to watch grown men act like baboons when they think they can do so without consequence. The maturity level of this group of “anti-wall” boys is null. Congratulations on your efforts to make Century Park, which will be a wonderful addition to our downtown area, the equivalent of your own personal bathroom joke.

You have not demonstrated any kind of civic responsibility or maturity, and both the History Museum and the City of Tacoma should ignore your screeching.

I look forward to another park in Tacoma- particularly one that honors the people who had the vision to fight for the renovation of Union Station. Without them, our downtown core could still be the wasteland it was a little over a decade ago. And, if it was, I’m sure these ‘anti-wall” boys would be screeching about something else somewhere else.

34 | Posted by watchdog | Oct 7, 02:15 PM

With regard to comment #34:

Our regular readers discuss many local topics via this site. Some topics create more intrigue than others, but only a few have progressed all the way to meetings at City Hall or the News Tribune. This particular topic regarding the donor wall seems to have struck a chord with City Hall as a credible issue. Frankly, it surprised me, and it indicates that there’s more to the story than solely what we mentioned in the original posting. Exit133 didn’t make this a big story in Tacoma. Something about the project itself made it a big story.

Resorting to name-calling does absolutely nothing to promote the public discussion. Unless I am mistaken, none of the Exit133 commenters have made this personal or have called anybody names.(Other than the original “fat cats” and “moat” comment – see below.) I happen to know that several of these “screeching baboons” or “anti-wall boys” are involved with major projects in town including SOS, the museums, UWT, neighborhood revitalization, the Winthrop, non-profit boards, and philanthropy. Some may have less tact than others, but their hearts are in the right place. The generalization of this group of men and women as baboons is out of line, unnecessary, and shows a complete misunderstanding of the Exit133 readers.

re: Mr. Anderson’s Wall With Moat

Mr. Anderson is a designer, illustrator, and cartoonist by profession. His comments tend to be out in left field, but it makes this place interesting. Generally speaking, however, these comments are ignored by many of us (sorry Mr. Anderson). When the Tribune quoted ONLY Mr. Anderson’s comment from Exit133 – ignoring the fifteen relevant others – it elevated that single absurd idea as representative of Exit133. When Mr. Nicandri quoted it again in his own comments on the site, its absurdity was amplified. Most of the other comments were attempting to discuss specific issues of public spaces, but the wall defenders were focused on one cartoonist’s random notion! The result was Anderson’s photoshopped moat photo. Had his ridiculous original comment been ignored, I doubt the wall with moat photo would’ve ever appeared.

Note to self: Don’t piss off a cartoonist. The results can be unpredictable.

35 | Posted by Derek | Oct 7, 07:45 PM

I say Bravo to Mr. Anderson for his wall/moat photo mash-up. Contrary to the “baboon” remark I think it shows that there’s nothing like a little comedy to get a real point across. To some, any wall completely blocking pedestrian access to and from the Bridge of Glass is absurd and, in our imaginations, may be seen as just as hostile and controlling as the illustration he created.

Besides, no one likes to be the butt of a political cartoon or illustration such as this. Fortunately, in our democratic society, it’s A-OK. Bravo for the nice work Mr. Anderson as I think you’ve successfully made a powerful point without any name-calling or slander. Last time I checked, I’m pretty sure walls don’t have any feelings to hurt. ;)

36 | Posted by KevinFreitas | Oct 8, 06:30 PM

re: Mr. Anderson’s Wall With Moat

I thought Mr. Anderson’s photoshop art mock up was restrained and kept right to the point.

Many editorial cartoons draw caricatures of the people they are attempting to parady.

TNTs’ satirical “Nose” mentioned Nicandr by name in their piece

What if Nicandri, the William F. Buckley of museum bosses (“we intend to roll back the stop-work order with as much dispatch as we can muster,”) appeared before the City Council and channeled actor Samuel L. Jackson: “I’m tired of these mother#$%! delays with this mother#$%! wall!!”

Anderson’s piece on the wall dealt only with the controversial aspects of the wall: the fact that it blocked direct access to the bridge.

If someone is going to propose building a brick wall requiring causing people to needlessly walk a couple hundred feet to get around it, they must anticipate that pedestrians are not going to like it.

37 | Posted by Erik | Oct 9, 12:27 AM

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